Marquise Technologies

Highlights

• Reference QC Player
• For DCP, IMF AND Broadcast
• Extensive source content support
  • Support for Interop and SMPTE DCP, including stereo3D DCPs up to 4K @60 FPS
  • Support for IMF and other mezzanine formats like XAVC, Avid DNxHD 444, XDCAM, AVC Intra, AS-11 DPP, AS-10?
  • Support for HDR content encoded in Dolby Vision, HDR10, HDR10+ or HLG
  • Support for ACES color system and ACES proxy
  • Native support of RAW data at the camera resolution (ARRIRAW, DNG, RED R3D, SONY F65, F55 RAW, Phantom flex 4K, Canon C500, etc.)
  • Support for uncompressed formats like DPX, TIFF, OpenEXR, etc.
• Support of sidecar files
  Standalone subtitle files can be imported in the timeline, as well as an independent audio channels or soundfields.
• Automatic import of delivery packages
  IMF, DCP, iTunes or AS-11 packages are automatically mounted in the timeline by drag&drop of the main directory.
• The complex folder structure of other deliveries like Netflix episodic, FOX ISM or ISR is also recognized by ICE and automatically rebuilt as a complete project.
• Timeline key features
  • Unlimited number of audio, video, subtitles or auxiliary tracks
  • Support of soundfields
  • Support of multiple resolutions and formats in the same composition
  • Navigation using shortcuts (JKL) or a transport panel (Tangent or legacy RS422 panel)
  • Editing functionalities
  • Conforming capabilities
  • EDL export
  • Dual Viewport with 3-point editing support

Highlights

• Transcoding Engine
• For DCP, IMF, Broadcast & online formatsTORNADO is a transcoding engine designed to be integrated in the facilities? infrastructure: Film labs, post houses, VFX studios or OTT vendors can build their own automated transcoding workflows using TORNADO's API.Designed to permit scalability in encoding speed, TORNADO is the most versatile and powerful transcoding solution on the market.
• Multiple transcoding capabilities
  • Simultaneous multiple rendering streams from the same source media
  • Transcode from and to DCP and IMF packages
  • Transcode from and to Mezzanine formats such as DNxHD 444, XDCAM, AVC Intra, AS-11 DPP, AS-10, AS-02, HEVC, etc.
  • Transcode from RAW data at the camera resolution (ARRIRAW, DNG, RED R3D, SONY F65, F55 RAW, Phantom flex 4K, Canon C500, etc.)
  • Delivery formats such as Apple iTunes, AS02/AS10/AS11-DPP, MXF J2K op1a Fox/HBO, Disney & Netflix DSM, Fox ISR & ISM
• Image processing
  • Image resizing (Pan & Scan) for resolution up to 8K
  • Color space conversion (support for REC 601 / 709, REC 2020, DCI XYZ, ACES 1.0)
  • Primary Color correction
  • Support for 3D LUT

Highlights

• Duplication, delivery and control
• KeyMaster is a web-based platform allowing the management, the duplication, the delivery and the control of the KDMs.
• Distribution lists related to a content release can be created in advance and re-used.
• Duplication and delivery process of the KDMs is automatized to reduce operational time and possible mistakes: automatic emailing and TKR support are available.
• KeyMaster validates the certificates for authorizing only duplication for trusted digital cinema devices.
• KeyMaster's interface is extremely simple and easy to understand.
• KeyMaster is designed for every post-production facility, studio or cinema content distributor which needs to manage and control the creation and delivery of KDMs.

Highlights

• Is a sophisticated color grading system designed for client attended sessions
• Grade in real-time, all the time
• Digital Media Processing at any resolution in real-time
  Client's requests instantly delivered and displayed on the screen
  Direct feed-back of color decisions, no rendering needed.
• Make final decisions
  Combine working and final approval in the same session
  Deliver final result immediately in tape or data
  Fast decision making features : per shot versioning, full screen client-oriented clip, intelligent grade library, audio support and more
  Advanced conforming & editing tools allowing to immediately replace sequences or clips.
  Export in EDL or ALE log format for further editorial processing.
• Efficiency, from the first click
  Unique interface designed to make the operator instantly comfortable.
  Solid logic combined with a sleek, minimalistic GUI design dramatically improving R A I N's learning curve.
  Work fast: browse clips in the Library, switch to the TimeLine, add demanding secondary corrections or animated grades, all accessible through the control panel.
• Enhance your sessions with sound
  Support of embedded audio tracks and audio clips such as Wave and AIFF files.
  Multiple audio layers allowing complex sound compositions.
  Capabilities to embed up to 16 channels of AES/EBU 24-bit 48 kHz audio into the outputted SDI signal.

Highlights

Mastering revolution

• MIST revolutions the mastering process by offering in one unique solution unrivalled features for the creation of any type of masters or file packages from any type and resolution of source media.
• From the RAW data to the final project, MIST provides dailies management, multiple formats transcoding, extensive editing and conforming tools, advanced color grading and color management features, image enhancement and conversion tools.
• Whatever the type of master you need to deliver, MIST offers the most intuitive and evident workflow to create masters and versions of DCP, IMF or any broadcast package.